Film school:Narrative Dialog Editing:Story of Penny and Eggbert:The Dailies

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" An example for the course on Narrative Film Editing
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The dailies

 * I selected three camera setups. I think that is all I need.


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 * bgcolor=Cornsilk colspan="2" |Note: Penny and Eggbert are 3D Poser models created by 3D Universe.  For this lesson, these characters were posed and rendered with the free DAZ Studio.
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{| border=1 cellspacing=0 cellpadding=5 style="border: Red solid 1px;" Camera setup #1 - Wide-angle two shot {| border=0 cellspacing=0 cellpadding=5
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Penny and Eggbert - Master shot

 * This wide shot is a typical establishing shot showing both actors. It also shows both actor's mouths so I must be extremely careful when doing "L-Cuts" (which requires me to roll the picture edits without rolling the audio) or add narrative music (which requires gaps in the dialog.)  You will see why later.


 * Notice that all the dialog for this scene (both Penny and Eggbert) is recorded softly since a boom microphone will not be able to be close to either of the actors. Also the single microphone must be tilted back and forth while over the heads of the actors so that the microphone will point at the person who is speaking.


 * colspan="2" bgcolor="White"| [[Image:Dailies Penny Eggbert 150.png|800px]]
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{| border=1 cellspacing=0 cellpadding=5 style="border: green solid 1px;" Camera setup #2 - Over-the-shoulder shot {| border=0 cellspacing=0 cellpadding=5
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The shot of Penny

 * Here is a shot of Penny over the shoulder of Eggbert. This shot is for the entire story, not just part of the story.


 * I filmed Eggbert so I could not see his mouth. Therefore, I will have no problem creating "L-Cuts" or adding narrative music which requirs extra gaps between the dialog.


 * Notice that the dialog for Penny is much louder than the dialog for Eggbert. That is because there is only one microphone and one microphone is pointed at Penny for the entire scene.  And because the camera is much closer in this shot than the master shot, the microphone can be much closer to the actor who is talking.


 * colspan="2" bgcolor="White"| [[Image:Dailies Penny 150.png|800px]]
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{| border=1 cellspacing=0 cellpadding=5 style="border: Blue solid 1px;" Camera setup #3 - Over-the-shoulder shot {| border=0 cellspacing=0 cellpadding=5
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The shot of Eggbert

 * Here is a shot of Eggbert over the shoulder of Penny. I filmed Penny so I could not see her mouth.  Therefore, I can easily create "L-Cuts" or add narrative music which requirs extra gaps inserted between the dialog.


 * Notice that the dialog for Eggbert is much louder than the dialog for Penny for this camera setup. That is because the microphone is pointed at Eggbert for the entire scene.  The camera is much closer to Eggbert so the microphone can be closer too.


 * colspan="2" bgcolor="White"| [[Image:Dailies Eggbert 150.png|800px]]
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{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" Trim and assemble the rough edit
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The next page

 * Next, I must trim the clips so they can be edited together. If you think about it, the selection is already made for you.


 * 1. The establishing shot will be Eggbert's first dialog.  The remained will be trimmed away.


 * 2. Penny's dialog.  This is the over-the-shoulder shot of Penny when she says her dialog.  All the rest of this clip will be trimmed away.


 * 3. Eggbert's final dialog.  This is the over-the-shoulder shot of Eggbert when he says his dialog.  All the rest of this clip will be trimmed away.


 * When these three clips are trimmed and assembled together, this will be the rough edit of the scene.


 * Click here to go to the next page.


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