User:Jason M. C., Han/2018 Spring-Echo trip to Sasebo and a Self-Doctorial travelling Performance

Important Life scenes echoing impressions of Spring Performance and Time Rhythm of travelling people:
(About details. please refer to: (Wikiversity:https://en.wikiversity.org/wiki/User:Jason_M._C.,_Han))

Empirical Conclusion, Analysis and Further Suggestion
1. Restaurant environment is a quite noisy one. When you try to collect Sir Debussy's 'Doctorial' in 'Children's Corner' as one piece for Solo-performance, please be very careful! One reason was about your hands' strength and endurance - could you hold it in short time without breaks? And, could rich techniques and keyboard-touching skills of ' Chou Chou's universe' (Wikiversity:https://en.wikiversity.org/wiki/User:Jason_M._C.,_Han) have already been trained and prepared strongly and were suitable to show before public fluently? Could people, especially those without information and knowledge of this piece, easily understand your performance in a short time? And, could it make people feel boring in some busy times, such as lunch times?... You need to ask yourself those questions before the time. In my experiences, I found: (1) Some dinner times were quite suitable to play it out; (2) At least, it can make people admire your for your long time hands-training and piano techniques level; (3) You can try to introduce some basic information about stories between Sir Debussy and his beloved Chou Chou for guiding people's appreciations; (4) You can make the middle section much tenderer and gentler, in order to give people a relaxable and clouds-wandering feeling, which was as a comparison making music expressive; (5) Some friends heard out a little bit of painfulness and boring moods from this melody, which, I didn't quite know, were from Sir Debussy's lost of 'his beloved' or from its life-echoing in those scenes making people feel a little bit fast and noisy. We can make some improvements in the future. 2. Midnight snack-times on the cruise-ship, after people took their entertainments during a whole night, were suitable to play some pieces of Sir Bach's series gently with light pedalling, such as C major prelude (Holly mother's song), Inventions series (2-parts Gigue Dance -8 No., 2-parts Architecture Transparency -10 No., and 3 parts Multiple layers-reasoning -8 No. ... ) and Sir Debussy's Moonlight and　Saint-Saens's Dying Swan , for the reason that people need to pray, reason out a 'holly place' somewhere in their heart and outside and self-peace themselves, meanwhile, search a reason to have a good sleep... 3. 'Summer' of Jou Hisaishi, Mozart's, Haydn's sonata series and Clementi's sonatita series were suitable to play in lunch time and afternoon before travelling out. It can wake up people's spirits, give them encouragements of the coming new hopes, and make them look forward to exploring world outside. Meanwhile, you can make some communications with kids about their musicality and let them feel joyful. 4. Sir Debussy's Arabic Suite 1 No. and An der schönen blauen Donau,Walzer,op.314 of Strauss, Johann (sorry, I haven't record its live classroom effect) and some similarities... are suitable to play in the mornings for embracing spring spirit and warm ourselves. 5. Some poems of Etudes and waltzes and also Sir Debussy's Arabic Suite 1 No. (inputting much more France Romantics in these times) are suitable to play in dinner times to show romantic fashions and brilliant piano skills, attracting people to make their own plants for night-entertainments.